Final outcome of the collaboration was going to be the short performance of all assembled pieces (core station assembled to the crop-top, latex based sensors and 3D printed crown) in the octophonic ring executed by the choreographer and kinaesthetic artist Ona Tzar following the composition and sound design by Declan Agrippa.

Unfortunately, Ona Tzar couldn’t join due to travelling and work obligations. Latex based sensors by Ella Powell aren’t at this stage finished yet, therefore we have used prototypes made of orthopedic support sleeves.

Performance was recorded on ambisonic microphone Sennheiser Ambeo VR Mic and MixPre-6 II Audio Recorder. First you can listen to the export of the Declan’s abstract composition made of field recordings and then the ambisonic recording together with the video.

Tilt of the head to the left controls the reverb. Both elbows control the amount of high pass filter on the two main tracks, therefore those sometimes completely go silent. Knees control the Brownian Delay, the ambisonic delay device from ambisonic package of Max For Live plugins called Envelope4Live.