My track Outer Void Resonance is out today as a part of VA compilation ‘Obsidian’ curated by London techno label EGØ DEÅTH.
Expect dark atmospheres, metallic textures and uneven rhythms within the grey area between Techno and Drum’n’Bass
My track Outer Void Resonance is out today as a part of VA compilation ‘Obsidian’ curated by London techno label EGØ DEÅTH.
Expect dark atmospheres, metallic textures and uneven rhythms within the grey area between Techno and Drum’n’Bass
Last term I have introduced foundations of the project Sonokinesis – the idea of controlling the sound by the movement and other aspects of human body. I have made a pair of wireless interactive Arduino based gloves which allows to control the sound in visual programming language Max MSP and map them into Ableton Live via Max For Live. The piece has been performed so far on two occasions, at the Gallery 46 in Whitechapel and at the underground event featuring performance art and experimental sound Chronic Illness XXI. During those performances I have revealed many flaws which occurred and started to troubleshoot and upgrade the project – mainly unstable Bluetooth connection and the significant fragility of assembled pieces.
The idea of Sonokinesis certainly doesn’t stop at the pair of Arduino gloves and I aim to develop more stable and durable version of gloves followed by other garments allowing to the performer to encompass other parts of their body.
I have been experimenting with flexible pads for knees and elbows and created simple accelerometer based headpiece triggering MIDI notes or samples. All those are connected to the central mini-computer attached to the lower back with the belt. Central mini-computer is this time based on different micro-controller ESP32 Wroom-32 and wireless connectivity is sorted with WiFi connection which proved itself more stable and faster than Bluetooth.
For knees and elbows I firstly assembled wearable pads based on the same flex sensors which I used for fingers of gloves. Unfortunately they appeared to be highly un-efficient when it comes to durability. Their function was limited by fragility and sensors started to break and rip after even single use which needs to be avoided at any cost since the piece must remain stable during performance and reusable. Also the cost of flex sensors is quite high considering its fragility (about £15 for one sensor).
Not long ago I have discovered conductive rubber which changes its conductive properties based on the stretch. I have tested a strip cut from the sheet attached to the knee pad and it proved itself very efficient, durable and in comparison to flex sensors also way more cheaper.
Neil Harbisson (born 27th July 1982) is a Catalan-raised British-Irish-American cyborg artist and activist for transpecies rights. He was born with a rare condition, achromatic vision – total colour blindness. When he grew older he recognised that lack of ability to sense colour was giving him a lot of disadvantages because surrounding society is inherently designed for people able to perceive the colours. In 2003, him and Adam Montandon, started to develop antenna which would allow him to hear colours as musical notes generated by simple sine waves. Antenna over the time evolved from connection to headphones and 5 kg backpack worn on his back into a small chip eventually implanted into his skull conducting the sound into ears via bone conduction in 2004.
The surgery was performed by an anonymous surgeon since the bio-ethical committee didn’t approve the surgery considering it non-ethical. Neil Harbisson got into another legal obstacles since he had to convince British offices to allow him appearing with the antenna on the passport. At first they denied his request as unacceptable since it is not allowed to appear on passport with electronic devices but after many months he convinced them that the antenna isn’t a device but a new organ and he cannot simply remove it. He is also in touch Swedish offices claiming Swedish citizenship since the antennas parts were made in Sweden. According to Swedish law, one can become Swedish after living in Sweden at least 5 years. Neil Harbisson argue his claim by the fact the part of Sweden has been living in him way much longer than 5 years.
Neil Harbisson described the process of becoming a cyborg more as psychological. Firstly, he memorised notes as colours, then later they became perception as he didn’t need to think about them and the information of “sound-colour” became automatic. When he started to have dreams in colours, Neil realised, that he truly became a cyborg as his consciousness merged with the software on a deeper level.
Antenna can perceive colours beyond the range of human perception. It can sense infra-red and ultra-violet colours. It can be also connected to internet and sense colours being send from another parts of the world, even from deep space when connected to satellites. From this point of view Neil consider himself ‘a sensetronaut’ as he can explore outer space with his newly obtained sense whist physically remaining on this planet.
Neil consider himself as a cyborg artist. He enjoys to create sound portraits of human faces or dressing himself in a way which not necessarily ‘looks good’ but according to if it ‘sounds good’. In 2010, him and Moon Ribas, another cyborg artist, Cyborg Foundation. It is an institution helping to people to become cyborgs. They believe that extending humans perception by creating new sense new forms of intelligence and wisdom and often has very ecological aspect to it. Neil Harbisson for example said that if everyone had a night vision, cities wouldn’t need to consume vast amounts of electric energy at night, which would be beneficial for the environment.
At this stage I still need to narrow down the research to more specific question however I would like to explore the topic of post-humanism and trans-humanism interleaping with Sound Arts. Firstly, I would like to focus on various definitions of what post-humanism and trans-humanism generally means, establish the difference between the terms and explore the critique of them.
Essay will follow with the case study of the cyborg artist Neil Harrbison. Neil Harbisson is a Catalan-raised British-Irish-American cyborg artist and activist for transpecies rights. He was been born with achromat vision and is the most known for permanently implementing antenna into his skull. The antenna allows him to hear hear colours even beyond classical human vision spectrum and translate them into hearable notes generated by sine waves.
Next part will explore the idea of humans merging and enhancing with technology in more non-invasive way from the point of view my own practice which I call Sonokinesis and artists which I have been taking great inspiration from like for example Onyx Ashanti and Imogen Heap.
Selected bibliography:
Robert Ranish and Dtefan Lorenz Sorgner – Beyond humanism: Trans- and posthumanism
Donna Harraway – A Cybrog Manifesto
Andrew Pilsch – Evolutionary Futurism and the Human Technologies of Utopia
Oliver Krüger – Virtual Immortality: God, Immortality and the Singularity in Post- and Transhumanism
N. Katherine Hailes – How We Became Posthuman: Virtual Bodies in Cubernetics, Literature and Informatics
Neil Harrbison – TED Talk